Matej Andraz Vogrincic

Born 1970, Ljubljana, Slovenia.
Lives and works in Slovenia.

One black umbrella might look unremarkable. But what about a thousand? Or two thousand plastic watering cans, ten thousand coloured balloons or fifteen thousand toy cars? Matej Andraz Vogrincic's installations can turn the most ordinary objects into visual poetry, and the most ordinary or neglected places into magical, thought-provoking spaces. He likes to get as many people involved in his projects as possible, inviting residents of Adelaide, for example, to bring along their toy cars to turn an ugly, dilapidated car park into a unique and colourful showcase. As with all his work, in Liverpool Vogrincic starts with a specific location - in this case, St Luke's church - and allows the history, resonances and emotions linked to the site to inspire his creation of a witty but moving artwork.

Projects in Public Spaces

2005 When on a Winter’s Night a Traveller, GPO Melbourne, Melbourne, Australia

2004 Untitled (Forest), Ljubljana, Slovenia

2003 Beach Balls, Perth, Australia

2002 Moon Plain, Coober Pedy, Australia
Port, Christchurch, New Zealand
Car Park: Members Only, Adelaide, Australia

1999 Dressed House, Venice, Italy

1997 Street Wear, Ljubljana, Slovenia

1993 House, Ljubljana, Slovenia


Selected Solo Exhibitions

2003 Moon Plain, Museum of Modern Art, Ljubljana, Slovenia

2002 Moon Plain, SOFA Gallery, Christchurch, New Zealand

1999 Clothes Sculpture, John Gibson Gallery, New York, USA

1996 Dressing, Anonimus Galllery, Ljubljana, Slovenia

1992 Ready Made, SKUC Gallery, Ljubljana, Slovenia


Selected Group Exhibitions

2005 Slovene Art 1995–2005: Territories, Identities, Nets, Museum of Modern Art, Ljubljana, Slovenia
The First Line, 26th Biennale of Graphic Arts, Ljubljana, Slovenia

2004 Slovene Art 1985–1995, Museum of Modern Art, Ljubljana, Slovenia

2002 Art+Industry Biennial, Christchurch, New Zealand
Tancat per Obres (Artists in Architecture) Col.legi d’Arquitectes de Catalunya, Barcelona, Spain

1997 U3, Triennial of Slovene Contemporary Art, Museum of Modern Art, Ljubljana, Slovenia
This Art is Recycled, SKUC Gallery, Ljubljana, Slovenia

1996 Urbanaria, SCCA, Ljubljana, Slovenia


Further Reading

Robert Mahoney, ‘Clothes Sculpture’, Time Out (New York), 214 (October 1999)

Kate Rhodes, ‘Matej Andraž Vogrincic, GPO Melbourne’, Monument Magazine, 67

Sarah Thomas, ‘A White Field on the Moon Plain’, Art Monthly (Australia), 154 (October 2002)

Angus Trumble, ‘Matej Andraž Vogrincic’, Art & Australia, 41.1 (Spring 2003)

Marcia E. Vetrocq, ‘The Venice Biennale Reformed, Renewed, Redeemed’, Art in America (September 1999)
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